This is a Catch 22 every reader both longs for and fears – what happens if you read a book so wonderfully, thoroughly and genuinely good that you cannot wait to talk about it with, well, everyone – but it has so many delightful plot twists, turns, revelations and about-faces that you actually can’t talk about it in case you spoil it completely? That’s where I am right now. How to review a book without ruining it? Or rather, how to describe all that’s good about it without – well, you know – actually telling you too much about what’s good about it? Let’s give it a whirl. I picked this up expecting a standard thriller. However, all the cover hyperbole proved to be right. This is a thoroughly post-modern novel, playing affectionately with structure and reader expectations of genre. With every twist, it constantly snaps the reader out of their armchair complacency and instead actively engages them in interpreting and analysing the text. In this excellent novel by Joel Drucker, the c...
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